Category Archives: India

Poems by Mayank Yadav

A Middle-Class Family

By Mayank Yadav, age 12, Jharkand, India

We don’t have gold or cars so wide,
But we have love and joy inside.
Papa works hard from morning till night,
Mummy’s care makes everything right

School bag old, but dreams so high,
Wishing stars in a small sky.
We save, we share, we sometimes wait,
Still smile together, call it fate.

No big house or fancy ride,
But strong hearts walk side by side.
Festivals simple, but full of cheer,
Happiness grows when all are near.

We may not be rich in money or fame,
But middle-class love is never lame!

Under the Water

Under the water, deep and wide,
Fish and turtles swim and glide.
Crabs walk slowly on the sand,
Jellyfish move like a magic band.
Octopus hides behind a rock,
Starfish sleeps near a sea-shell clock.
Dolphins jump and play all day,
In the ocean, far away.

Waves above and calm below,
Under the sea, the magic flows.
Seahorses float, so small and sweet,
Tiny shells lie near their feet.
Bright blue fish go zip and zoom,
Dancing gently in ocean’s room.
Come with me, let’s take a ride,
To the sea world, deep inside!

By Mayank Yadav, age 12, Jharkand, India. He lives in the Province of Jharkhand, in an extended family—with his father (Ranjan), mother (Kumari Sangita), older sister (Shreya Ranjan), grandfather (Kedarnath), and grandmother (Bina Devi).

No Phone, No Problem

By Nasiruddin Hamid, Qadian, Punjab, India.

We all love playing video games, watching funny shorts, and making movies on our smartphones. However, some of us use the cellphones much more than others.

I live in Northern India with my family. After school, my father gives me his cellphone for ten minutes to play games and enjoy SnapChat and YouTube, etc. When those ten minutes turn into 20 or 30 minutes, and then into an hour, I don’t even realize it—but my father does.

Last year, I started avoiding playing outdoors and spending time with my friends. I was using the phone more and more without telling my parents. But my parents never stopped keeping an eye on me.

One day, my father told me when he was a kid, he used to play many outdoor games like Pakadam Pakdai, Baraf Pani, Pitthu Gram, and Addi (see the end note below for a short explanation of these games children play in India). He said, “We didn’t have phones, but we’d read comics and novels in Urdu and English for our pasttime.”

Thinking of those outdoor games and thoughts of reading comics and novels really got me interested. So I made a deal with my dad that he and I would play outside and read books together. He bought me a new bicycle, and now I go riding; he runs beside me while I ride my bicycle, which is quite fun! He also bought me new comics and a few novels, and he reads them with me.

I really like reading the tales of Akbar and Birbal, as well as the stories of Mullah Nasruddin. They are full of humor and wisdom. I must say, I find reading books or riding a bicycle outdoors much more interesting than playing video games or watching YouTube shorts.

Yes, I know cellphones have their own benefits, but as my father says, “They are more useful after a certain age.” We should limit our phone usage. I have read that too much smartphone use can damage our brain cells, affect eyesight, and even our emotional health.

I believe my parents when they tell me that there can be many unforeseen negative impacts of these devices. I always trust them with any issues that come up.

As school age kids, we should use cellphones only for short duration, and under parental supervision and guidance.

By Nasiruddin Hamid, Qadian, Punjab, India.

Notes:

Akbar and Birbal Stories: Akbar was a Mughal emperor who ruled a large region in South Asia that includes modern-day Northern and Central India, Afghanistan, and Pakistan during the 16th century. Birbal was a close advisor and wise minister in the court of Akbar for some 30 years. The Akbar and Birbal stories are not only entertaining but also witty and are widely-read favorites of Indian kids.

Mullah Nasruddin (aka Nasreddin Hodja) appears in countless stories—mostly witty or wise—where he is shown as a (holy) fool that teaches great wisdom to the world. He is considered a Sufi (Islamic) character and he may have actually lived in the 13th century in present day Turkey and may have traveled to many lands as his stories are widely known.

A Short Explanation of the Games:

Pakdam Pakdai: Run and catch game One kid tries to catch others who try to run away.
Baraf Pani: When caught, you freeze like “Baraf” (Hindi word for ice) until someone frees you by saying “Pani” (Hindi word for water)
Pitthu Gram: Players break a stack of seven stones with a ball and then try to rebuild it before getting tagged by the fielders.
Addi: is played with two teams of 5/5 players. One team starts in a circle and tries to reach the end of the field line while the other team chases and blocks the players from reaching it.

2025 Civil Rights Art Contest Winners

Hindus for Human Rights Has Announced the

2025 Civil Rights Art Contest Winners!

HIGH SCHOOL DIVISION (Grades 9–12)

Contest Theme: For centuries, people in South Asia have used art—like folk paintings, music, and dance—to speak out against injustice. These art forms have helped communities resist colonial rule, caste discrimination, gender inequality, and government oppression. How do you see that same spirit alive today?

First Place Winner:

“Chardi Kala: Resilience in Action” by Tara Kodial, grade 12, New York.

2nd Place Joint Winners:

“Roses and Thorns: A Bengali Woman’s Journey in Film” by Grace Saji, gr. 12, California.

“Dance Captured Through a Screen” by Eshita Lahiry, grade 12, Louisiana.

3rd Place Joint Winners:

“Dancer Breaking Free” by Aditi Karthik, grade 9, Georgia.

“Financial Freedom Teachings through Mehendi” by Zainab Habeeb, gr. 12, California.

“A” Series of Journeys: The Story Behind the Board

By Kate Han, age 16, from South Korea, studies in Canada.

‘A’ Series of Journeys by Kate Han, age 16, Canada.

I’ve always struggled with the question, “Where are you from?” It’s not that I don’t know; the answer has never felt complete. I was born in Korea, spent much of my childhood in India, and now study in Canada. Each country left something inside me, not just as memories but as layers of identity. My artwork (see above) , ‘A’ Series of Journeys, emerged from this sense of fragmented belonging. But without the backstory, I realized the artwork feels like a silent map—colorful but unexplained. This is the narrative behind that map.

From Korea to India: My First Migration

I was five when my family moved from Seoul to Bangalore. What I remember most from those early days was the constant feeling of being “new.” New sounds, new smells, new alphabets. Even at that age, I knew I wasn’t just visiting—I was being asked to live someone else’s normal. In school, I was the only Korean girl. I didn’t speak Kannada or Hindi, and I barely knew English. But children don’t wait for fluency. I played tag with my hands, not my words. I watched others tie their shoes, share lunch, and greet teachers. I mimicked until it became second nature.

India gave me my first lesson in courage: that you can belong without blending in thoroughly. My neighbors wore saris and spoke a language I didn’t understand, but they treated me like family. We celebrated Diwali together, and over time, the questions stopped being “Where are you from?” and started becoming “Are you coming to dinner?”

India didn’t erase my Korean self. Instead, it added to it. I still spoke Korean at home, wrote Hangul in my diary, and celebrated Chuseok with food parcels from my grandmother. But the girl who lit sparklers on the rooftop during Deepavali wasn’t pretending. She was expanding.

Canada: A New Kind of Destination

Years later, I moved again—this time on my own, to a boarding school in Canada. If India was about cultural immersion, Canada was about cultural comparison. I had more words now, and more awareness. I could see how my classmates viewed “Asia” as a single block. I could also see how they saw me: someone exotic, sometimes confusing, occasionally admirable. Someone told me, “Wow, your English is excellent.” It was meant as a compliment, but I felt the space between us widen.

Boarding school life sharpened my understanding of identity—mine and everyone’s. I met friends from Nigeria, Ukraine, Mexico, and Australia. Some had never left their home countries before.

Some, like me, had already moved across continents. We bonded over strange cafeteria food, homesickness, and midnight conversations about who we were becoming.

Canada taught me that identity is not a finished product. It’s in constant motion. You carry your past, but you also build your future with every choice—what you say, how you listen, which memories you protect.

Why I Made the Board

‘A’ Series of Journeys started as a personal project to visualize this idea of motion. I used pins and thread to create intersections, connections, and collisions. Each line on the board represented a person, a place, a story, or a version of myself. The foam base—soft yet firm—symbolized the adaptability I’ve had to develop. The photos marked moments in time that still speak to me. Together, they formed a chaotic and orderly piece, much like my life.

But something felt unfinished. It was only after receiving the Skipping Stones Editor message that I understood why. The board is a conversation starter, but it needs a voice. The images are full of meaning, but only when paired with a story. Without this reflection, the piece may be a decorative design, not a lived experience. That’s why I’m writing this—to give the work its missing voice.

What I’ve Learned

I’ve learned that home is not a location—it’s a rhythm. It’s in how you wake up, how you say goodbye, what you find strange, and what you start calling your own. In India, I learned to listen before speaking. In Canada, I learned to question people’s meaning by saying “diversity.” In Korea, roots can deepen even when far from the soil.

Another lesson: People are much more than the labels we use. The word “immigrant” doesn’t tell whether someone is hopeful or scared. “International student” doesn’t reveal how many languages people hear in their dreams. I’ve learned to ask better questions. Not “Where are you from?” but “What feels like home to you?”

Above all, I’ve learned that my journey is not a detour—it’s the main road. My experiences are not interruptions to everyday life; they are my life. And through them, I’ve gained a sense of the world and a stronger sense of self.

Why This Matters

For young people like me, art is more than expression. It’s a translation. It’s how we turn complexity into something we can share. I hope ‘A’ Series of Journeys speaks to anyone who has felt between places, languages, or versions of themselves. I hope it shows that confusion can lead to clarity and discomfort can lead to growth.

This write-up is not the end of the project—it’s part of it. The series continues as long as I live, move, reflect, and create.

By Kate Han, age 16, grade 11, originally from South Korea, currently studies in a boarding school in British Columbia, Canada.

Beneath the Shade of Truth

By Nasiruddin Hamid, Qadian, Punjab, India.

In the 19th century, on a pleasant afternoon in August, in the serene mountains of Kashmir, Abdul Kareem, 65, and his grandson, Abdul Rahim, were watching their goats and sheep graze on the lush green mountain grass. The air was fresh and crisp, filled with the scent of wildflowers and pine trees. A gentle breeze swept across the hills, rustling the leaves and bringing a cool relief from the warmth of the sun. They were both leaning on a large, smooth rock, resting beneath the shade of tall trees, with the distant hills providing a protective embrace. The sound of the breeze and the peaceful bleating of the goats and sheep made the scene feel timeless.

Abdul Rahim, who was around 15 years old, began the conversation in gentle voice.

“Baba (grandfather/ father), are we Muslims?”

“Yes, dear, why?” answered Abdul Kareem.

“Are we the best people in the world just because we are Muslims?” asked Abdul Rahim.

“I don’t know, son,” replied Abdul Kareem.

“Why don’t you know, Baba? Our master, Molana Sadiq, says we are superior to all human beings. We rule the world, and after this life, we will go to heaven because we are true followers of the Prophet. Others will go to hell because they don’t worship Allah as we do,” said Abdul Rahim.

“I don’t know about being superior, son,” said Abdul Kareem.

“Did Molana Sahib (sir) lie to us then?” asked Rahim.

“No, son. Actually, Molana Sahib doesn’t truly know Almighty God. That’s why he says those inappropriate things about God,” said Abdul Kareem.

“How so? Please tell me, Baba Jan (dear grandfather),” said Rahim.

“Son, Allah doesn’t work the way we say or believe. He is far superior to what we think. He made this world according to His plans and will, but humans have degraded Him according to their own greed and desires. Every Molana (Maulana, a Muslim religious leader), Padri (a Christian priest), or Pandit (a Hindu scholar) claims that their religion is the true one, and others will go to hell. But they use God’s name only to serve their own selfish interests. They have turned God into a figure to scare innocent people. The truth is, God is not as horrible as they make Him out to be. We don’t know God or His ways. It is His will that He made some people beautiful and others not, some rich and others poor, some healthy and others sick. We cannot have complete knowledge of Him. That’s why we create stories about Him based on our own desires. Allah (God, in Islam) is for everyone, whether we believe in Him or deny Him. He doesn’t care about religions; He cares about humanity. People who love and care for humanity are the true believers of God, and they will be rewarded in this world and the next, if there is one. So, my son, just be a good human and respect everyone if you really want to succeed in life,” said Abdul Kareem.

The cool breeze continued to swirl around them, carrying the smell of the mountains as the sun began to dip behind the hills, casting long shadows across the grass. After saying this, both sat in silence, contemplating the words of wisdom, until dusk settled in. Then, they gathered their sheep and goats, and made their way back home, the rhythmic bleating of the flock echoing through the quiet, peaceful valley.

By Nasiruddin Hamid, Qadian, Punjab, India.

Monsoon Rains

By Adhya Kidiyoor, 14, Texas, and Maira Khwaja, 13, Texas.

The steady, gentle pour of the rain
The hot steam spiraling from the cup in my hands
The soft creaking of the wooden swing beneath me
This takes me back to where I belong
This takes me home.

I linger there for a while, trying hard to piece myself back together

The thunder booms, shaking the rain-soaked earth, scattering my broken thoughts across the mossy ground.

The swing freezes midair.
My chai loses its last warmth.
Time seems to stand still.

Who am I?
I’m a girl who’s lost.
A girl in the glorious shower of rain
A girl remembering the soft, familiar canopy of past days
A girl falling apart in the monsoon, not yet ready to let it go.

A girl who longs to go back.

Sitting here without the warmth of my home, I feel so small.
Alone.

Lightning flashes, and for a moment, everything seems clear.

I breathe again, as the rain grows heavier and heavier
As the burden I carry feels lighter and lighter

I listen, for once, as the murmurs of life grow smaller and smaller
And the depths of my clarity grow deeper and deeper

I pause, in wonder as the tiny insignificant raindrop becomes a brilliant shower—
Something bigger.

The rain grows stronger, the steady stream washing away my confusion
For the first time, I can see clearly.

Alone, I would be swept away, just another raindrop swept away in the current
But I don’t have to be alone

The stories of pride and joy, so achingly familiar, keep me warm.
The whispered tales, so fondly believed, keep me company.
These are my roots.
This is my culture.

The rain fades away, as all moments must.
But I can find solace in this memory
I can find clarity in this moment
And in the rain, I find not just my answer but myself.

I am not just a drop, but part of a storm.
I am not just a person, but part of a nation.

I am not just a girl, but the spirit of what makes India beautiful.
And that is all I need.

* * * *

Somewhere between that last sip of chai and the weight of the rain, I stopped worrying and began to listen. The rain didn’t just fall—it spoke, in a language older than our names, dialogue that can be felt and heard. It tells me, tells all of us, that home isn’t always a place, but a scent, a story, or the rhythm our footsteps carve and the droplets copy. And sometimes, the storm doesn’t break you. Sometimes, it brings you back home.

* * * *

The steady fall of the rain
counters the frantic
thumping of my heart.

I am surrounded by the scent
of moss and earth
and all things green with life.

It was a dry period,
one without the flourish of nature
and the embrace of home.

But
monsoon
is coming soon.

I now sit on the swing
that has swayed the same since I was six—regardless of storm or season.

The sky weeps a wretched cry,
hungry to drown all that is familiar.

I must remind myself
this brutal storm is nothing new.

And the lifeless land will be ruined only momentarily—
hard and loveless destruction giving way to plentiful earth.

For days, the skies will wail
and the clouds will darken,
closing their weepy eyes.

I wonder if this storm will ever pass.

But
monsoon
comes every year.

So by now, I must know
the storm will waver eventually—
desperate, darkened skies shutting their curtains

to reveal the calm of the sun
the soft of verdant grass
And the saffron and marigold of the ripe aam
That I have been waiting for.

My little swing continues to rock
and the rain continues to fall
but I continue to breathe
Because the skies have promised

To epilogue into vibrant
orange, white and green,
that fills me with the spirit of India,
alive in every drop of rain.

Written jointly by Adhya Kidiyoor, and 14, Texas, and Maira Khwaja, age 13, Texas.

Adhya loves staying active—especially in the world of literature! Whether it’s volunteering, competing in Science Olympiad, or practicing tennis, she’s always doing something. When she’s not on the move, you’ll find her reading, listening to music, or working on her next big idea. She’s curious, motivated, and always up for a new challenge.

Maira has a passion for learning and creativity. She enjoys writing poetry, reading, and spending time outdoors. When she’s not volunteering with nonprofits, she’s either listening to music or practicing karate.

Adam Bobrow, the Voice of Table Tennis

Adam Bobrow, the Voice of Table Tennis*

By Viraj Ajgaonkar, age 12, grade 8, Mumbai, India.

Adam Bobrow sketch by Viraj Ajgaonkar.

I am an emerging professional table tennis player, and I do my best to actively compete at Mumbai’s city level table tennis tournaments. There are multiple players whom I greatly adore and I always try to imbibe their techniques that help me to improve my game.

But there’s this guy who is quite unique, and he has created a meritorious place for himself as an official table tennis commentator in the UTT and WTT tournaments. When he was a professional player, he was popular for his signature snake serves and hitting the ball across the table.

Yes, you guessed it right. He is our very own the “Voice of table tennis,” Mr. Adam Bobrow!

He is also a successful YouTuber wherein he battles out professional players—from China’s Ma Long and Fan Zhendong to France’s Lebrun brothers or Brazil’s Hugo Calderano, right up to India’s Sharath Kamal or even USA’s Kanak Zha.

His humorous style of talking in his typical American accent, his colourful t-shirts and shorts, and his strong command over the language makes him very unique. He is truly fun-loving and seems to enjoy traveling to diverse places. For a recent Doha tournament, he traveled light—with just one backpack!

He has had played a pivotal role in spreading the passion for table tennis (ping pong) by challenging even the enthusiastic non-players of various age groups across the world through the solid platform of PingPod.

You will notice that he is a keen observer when you see him play against professional players in the challenge games. He tries to study their strengths and other technical aspects of backhand/ forehand strokes, chop, block, etc. He then effectively blends it especially in his English commentary. He often gives nicknames to many players—like Xuperman to Xu Xin or The Golden Girl to Manika Batra.

I’d like to take an opportunity through this article to invite you, Mr. Bobrow, to our city of Mumbai at Shivaji Park Gymkhana and Park Club. Mr. Bobrow, do come and challenge me and my other senior buddies, and let’s have a blast over here to create some unforgettable moments!

By Viraj Ajgaonkar, Age 12, Grade 8, Bombay Scottish School, Mumbai, India.

* Table Tennis is known as Ping Pong in many countries of the world.

Battle on the Board

By Elaine Elizabeth Jinto, age 14, Karnataka, India.

Why did the ancient kings of India even bother to invent a game like chess? I mean, take Babur*, Akbar, or any other king for that matter; they seem to have spent their whole life in mortal combat, so why also have a war on the board? If I were one of those ancient rulers, I would have banned chess in my kingdom. As chess was a game from ancient Indian history, everyone here in India seems to play the game. Everyone just wants to be the next world champion, unlike me, who is forced to play the game so I can follow my real dreams.

But then, why was I sitting at a chessboard waiting for the Karnataka Chess Championship to start? And, why was Karnataka State Champion Sindhuri Patil sitting exactly opposite to me?

Yes, my dear reader, I, Elaine Elizabeth Jinto (with No FIDE** Rating), was about to play with one of the greatest chess players of India. Now you will be like, “Whoa, hang on, wasn’t she saying that chess was a useless game ten seconds ago?” Yes, I was saying that, but I need a FIDE rating to get into ISRO’s space camp. I was on the Top Board, the spot coveted by all chess players. But I didn’t want to be there. It was just because of FIDE’s weird pairing mechanisms. The game was available live on Lichess.org, and as I looked around, I saw the spectators sitting outside the tournament hall, everyone looking at their cellphones. I felt even more nervous, so I took a deep breath and imagined myself at the Space Camp. That did not help me, though. It made me more desperate to play well!

I wondered what the spectators were thinking. Were they hoping for an interesting match worth watching? Or were they judging the little girl sitting opposite the champion, nervously twiddling the pieces around? Or were they sympathizing with the girl who had to play a very tough match for no particular reason?

As we waited for the match to start, I took a good look at my opponent. With the T-shirt she wore when she last represented India, hair in a thick, tight braid, glasses, a nose ring, and a very, very serious, slightly mocking expression on her face, she was the scariest opponent I had ever played. Or maybe it was the difference between our FIDE ratings that scared me. Or both. I don’t know.

So, there I was, sitting in the tournament hall, about to play for the first time with a digital board and clock. An A/C and a reclining chair were provided for my comfort. But far from being comfortable, I was shaking nervously and was already thinking of ways to resign without appearing too cowardly. I kept pressing the buttons on the timer absentmindedly until Sindhuri told me to stop changing the time controls!

The bell sounded, and the match started. Sindhuri made the first move, and I could taste the aggression in the air. Playing safe, I opted for a defensive move. I mean, a move that wouldn’t lead to an immediate loss. She glared at me, and her pieces charged towards mine. Within seconds, the enemy had broken through the castle walls and annexed the treasury. With two men dead on the field, I was forced to retreat. Sindhuri ordered more pieces out, and in that calm bit (the only calm bit in the whole war—too bad it was short-lived), I attempted to reconstruct the castle walls. This resulted in the sad death of my beloved elephant and knight; may God bless their souls.

I felt dozens of eyes on me as piece after piece was either captured or trapped where I couldn’t use it. I took a deep breath and tried to tell myself that the gleaming gold cup, displayed on the stage, wasn’t my ultimate goal. It didn’t work, though. As I chewed my lip, trying to think of at least one move that would prevent the impending destruction, I realized that even though I found chess boring, I wanted to win. Losing was bad. And even though I pretended not to care, I did. My thoughts raced: Should I just save the knight? Should I castle to stop getting checkmated? Or could I just resign? Losing track of everything, I tried to save my last man on the field, and the king was trapped. “Checkmate,” Sindhuri yelled triumphantly.

The bell sounded, and the match ended. So, there you are, my dear reader, a brief description of the destruction of my poor kingdom and the victory of a WFM against an ordinary fourteen-year-old. I left the tournament hall clutching my score sheet with tears in my eyes, feeling that chess was more useless than ever. Anyway, before I leave to sob in peace, I must answer my question in the beginning. The answer came to me as I took one last look at my destroyed kingdom. The ancient kings likely wanted to practice their battle strategy.

By Elaine Elizabeth Jinto, age 14, Karnataka, India. She has been published in Skipping Stones multiple times.

Editor’s Note:
* Babur is known as the founder of the Mughal Empire in India. Akbar was the third in line of Mughal emperors (who died in Oct. 1605 CE) and his son, Jahangir, followed as the next emperor.
** FIDE stands for Fédération Internationale des Échecs (in the French language) meaning the International Chess Federation.
NPR (National Public Radio, USA) reported on June 08, 2025 that the game of chess is very popular in India; and that there are even online chess schools to train serious chess players in the country. Currently, there are 85 Chess Grandmasters in India. In 2024, at the World Chess Championship in Singapore, 18-year-old Gukesh Dommaraju, from Tamil Nadu, India became the youngest-ever world champion.

Christiano Ronaldo, the Great Soccer Player

About the Pixel Sketch of Christiano Ronaldo

Football (called soccer, in America) is one of my favorite sports; I am very passionate about it. I play soccer with my school buddies during our school break time, although I don’t play it on a professional basis.

All football players have their own unique styles and techniques of playing. Amongst them, Christiano Ronaldo, popularly known as CR7, is a legendary player from Lisbon, Portugal who started his career with FC Sporting, then MUN and many others. At present he’s with Al Nassr.

He is an iconic figure to me, especially when it comes to his bicycle kick, his headers, and his remarkable vertical leap which I think nobody has surpassed. He has come a long way from being a poverty-stricken boy to the most successful and elegant player in the football history.

I adore him mostly for his sheer faith in his physique and fitness (which is outstanding), and the respect that he gives to his fellow players. Yes, he doesn’t even promote commercials of carbonated drinks; he says they are harmful for health!

The deep affection that he has for his mother is clearly seen when he said that his mother is his refuge, and that he’ll take care of her until his last breath! I remember one occasion when he failed to convert a penalty into a goal but later succeeded in making a goal for his team in the same Euro Cup match. He apologized to his fans and his mom, and later, he silenced the crowd that was supporting his opponent team through his gesture (a finger over his mouth).

More than anything, his signature style of ‘Suiiiiiiiiiiiiii……..’ will always be remembered by all football fans like me. He is indeed a true inspiration for all youngsters. He has repeatedly excelled with his dedication, hard work and mental toughness.

So Mr. CR7, wherever you are, this is a form of respect that I would like to pay you through my very first attempt of drawing a pixel sketch of yours on a graph paper! (Do look at it from different angles to get the best glimpse).

By Viraj Ajgaonkar, Grade 7, Bombay Scottish School, Mumbai, India.

Climate Concert

By Elaine Elizabeth Jinto, age 14, Bengaluru, India.

we had had a scorching summer
and every AC in the house-
hold was on all the time
but it wasn’t hard for us
like it was for the farmers
who longed for rain, for crops
that he had sowed in summer.
at last it was, finally, June
and we gathered on the balcony
hoping to see nature’s finest performance
raindrop musicians, thunder-clapping audience
spotlighted by lightning, the aroma rising
from the loamy soil of Earth.

My little brother was most eager
to see rain falling, to do
what the rest of us have done
to race through the puddles, to
make paper boats and sail them
to run barefoot in the water, that
icy tingle shocking his little legs
to taste those cool, clean drops
and to drink steaming hot chai*
and to eat bhajia** at the end
but it did not rain, like
it was supposed to, and he
grew despondent, sad, waiting for rain
each day, his eyes searching for
those welcome clouds, to bring rain
to this parched, peppery, dry earth.

And finally, it did, though not
at the time dictated by nature
and we did not let him go out
he asked us why, and we
told him about climate change and
fossil fuel, pollution and everything else
that was happening these days to
Nature, and he grew angry, and
blamed the older generation, for
being greedy, plundering loot from nature
leave behind nothing for his generation
and asked us what stories he
would tell his grandchildren. Of technology?

*Chai is Indian spiced tea, made especially by boiling the tea leaves with milk, sugar, and cardamom, etc.
**bhajia is a type of fritter originating in the Indian subcontinent. It is made from spicy hot vegetables, commonly onion, and has several variants.
We often enjoy these during the monsoons.

By Elaine Elizabeth Jinto, age 14, grade 9, Bengaluru, India. She adds: “I am originally from the State of Kerala, but I was born and raised in Bengaluru, Karnataka. I can speak Malayalam, Tamil, Hindi, and Kannada, along with English. I started writing in 3rd grade, beginning with a poem about a playground. I serve as the Editor-in-chief of our school magazine. I understand the impact writing has when it comes to spreading the right messages.
“I love writing and reading about everyday things that I can relate to. I generally do not follow a strict form in my poems, because I get more room for creativity… Through my poems and prose, I like to give voices to those silent and mundane events that play a huge role in our everyday lives.”